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Hints & Myths about Argentine Tango

The restored Orangery viewed from the roof of Bylaugh Hall

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Bylaugh

One weekend, in the fall of 2003, saw a series of Tango workshops held in the recently-refurbished Orangery of Bylaugh Hall in Norfolk.

Rodolfo Aguerrodi and Miho Omaki led workshops with a small group of local or temporarily resident participants on Friday, Saturday and Sunday - morning and afternoon.

We also visited the local milonga in Norwich on the Friday night.

These notes are abridged "aides-memoire"; you do need Rodolfo and Miho's coaching to fully understand what is going on.

 

The third of the workshops focused on linear sacadas:

 
   

First we heard that a sacada is a displacement of an unweighted leg due to an obstacle being in its path as it tries to move to its next position.

 
   

Then we practised moving fluently in and out of cross system:

 
  Starting in offset parallel with leader to left of follower ...
  ... we moved until leader's right foot was forward ...
  .. then leader crossed left behind right, moving right foot forward in one beat to enter cross system ...
  .. then leader stepped forward on left in cross-system ..
  .. then leader crossed right behind left, moving left foot forward in one beat to re-enter parallel system ...
  ... repeating until we got it, or for several tangos
   

  Then we tried an exercise to rehearse the linear sacada movement:

 
  Leader led a step to the left on his left foot ...
  ... leader closed right to left moving his right foot forward into the mordita as follower closed her left foot against her right ...
  ... leader took a short step back on his left leg drawing his follower forward but without weight onto her left leg ...
  ... leader, while remaining facing forward with his torso, dissociated so his hips faced ~15 (angle determined by relative position of follower's axis) to the right and stepped - slightly diagonally - into the space behind follower's left foot, making thigh contact to displace her leg ...
  ... leader stepped slightly diagonally to close left to right with torso still facing forward to maintain the linearity of the move and with hips facing ~15 right

We then walked in offset parallel to a cross, without stopping at the cross:

 
  ... leader, while remaining facing forward with his torso, dissociated so his hips faced ~15 (angle determined by relative position of follower's axis) to the right and stepped - slightly diagonally - into the space behind follower's left foot, making thigh contact to displace her left leg ...
  .. leader, while remaining facing forward with his torso, dissociated so his hips faced ~15 (angle determined by relative position of follower's axis) to the left and stepped - slightly diagonally - into the space behind follower's right foot, making thigh contact to displace her right leg ...
 
 

boleos

milonga

barridas and ganchos

   
How it started
What you must do first
Getting around
Intertwining those legs
Having real fun
Swirling around the room
No limits

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©2003 Frank Morris